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Richard C. Kagan

Professor of History, Hamline University
St. Paul, Minnesota 55104 USA
651.523-2433 (ph) E-mail rkagan@hamline.edu


Syllabus: Workshop in History (H3000)

 
Summer 2000
Workshop in History (H3000) Syllabus Course Info Lecture Notes
Richard C.Kagan
Professor of East Asian Studies, Hamline University

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History 3000
MTWR 8:30-10:30 a.m. Robbins Science Room 10
Workshop in History
Instructor: Richard C. Kagan
Ph. 523-2433; e-mail: rckagan@hamline.edu
Fax. 523-646-0034
Web page http://web.hamline.edu/~rkagan
Check this site Frequently: Minnesota Historical Society

The purpose of this course is to introduce the student to the field of public history. This introduction will be accomplished by visits to the Minnesota Historical Society, readings in Historiography, and a public history project. The text by Wilson is an introduction to the nature of historical writing. The Zeldin book is a fine example of the post-structuralist school. The student will be expected to purchase a book on public history at the History Society bookstore, and the student is urged to join the Historical Society. The student should read journals such as : The Public Historian; American Heritage; and The American Historical Review.

July 3. Introduction. What is History? What is Public History? What are some of the major Historical Fallacies?

The meaning of time vs. space; history and ritual; the power of historical myth.

July 5. Read all the assignments before class. Wilson. Chs. 1-2

Choose the sentence or sentences which best answer the question "What is History?"

Memorize the subject headings for the six reasons on pp. 4-6.

What is meant by the term "teleology"? Can you give an example of teleological history? Make one up if you have to.

Is the past unpredictable? Can you give an example?

Historicism: a self-indulgent view that history is the most important form of knowledge. The individual must be put into social and chronological context. Review Ranke's contribution: p. 15. Hermeneutic, historicist-depicting the present as distinct from the past but a necessary component to understanding the present, not teleological-no agenda, broad in scope, yet focused on culture, and the nation-state.

Austinianism: the state, its leaders, their ideologies, and their policies (institutional, diplomatic, and economic).

Burckhardt: history as art. Replaces diachronic with synchronic analysis.

The rush toward universal laws-stages: technological, metaphysical and scientific. Positivism-quantifiable issues-geography, climate, food. E.g. Jared Diamond-Geographical Axis, and domestication of animals and plants.

Trevelyan: history is great literature. The art of the narrative. (See Spence) (See many "conservative writers" when you think of T's reasons for writing history-to educate the mind. P. 19.)

How does Wilson conclude chapter one?

Chapter 2.

Outline the approach of an historicist and a presentist. Apply these approaches to the War in Kosovo. Does either provide more freedom of thought? How do you balance subjectivism (presentism) with objectivity (historicism)?

The perils of nominalism. Hermeneutics and judgement. No division between history and fiction; description and fantasy. No teleology, no coherent subject, no meaningful text (Derrida). No need for footnotes.

Moral issues: judgements.

The quarrels of historians: Re. The historical meaning of the Nazis. P. 37. Intentionaliists vs. functionalists, German special path vs. patterns of development, and high politics vs. everyday history.

Goldhagen's "simple thesis" reduces most of the theories to one conclusion-everyone was guilty. Shoddy but popular. Why? History reflects the political and cultural will.

Public history: propaganda or liberation?

July 6.
Chapter 3.

Cliometrics: quantitative methods applied to history. Little evidence of free will. Democratization of history-study the masses, not the great leaders.

Use of models. Counter-factual-what would happen if you eliminate railroad from history. Amoral or immoral-Time on the Cross. Quantitative evidence showed that slavery was a profitable investment for slave holders.

Economics: modes of production. Marxian economic history. Base: economy: superstructure-society, poli. Culture, art. Class conflict-key to history. French Rev., Meiji Rev. Or struggles within a class: State dept. and the Vietnam War.

Sociology: mid-level generalizations plus historical specificity

Anthropology: action and change occur because of certain natural needs and wants. The needs become institutionalized. Geertz: "Thick description" field studies which look at every manifestation of culture in a single action. This becomes the exemplary center-explains the larger issues of meaning, power, and relationships. The anthropologist and sociologist are not helpful in understanding change, causation, and the peculiarity of the culture in time. They seek for continuity and "centers" that do not dissolve over time or between cultures.

The weekend: I urge all of you to visit the History Center on Sunday. There is always a community event. You should look up their web page to see what events are scheduled. You should also visit the Science Museum or the Children's Museum to observer inter-active exhibits and displays. If you cannot do it this weekend, plan for a trip during the second or third weekend of the course.

July 10. Chapter 4. Early Annales:

Marginalization of political history. Problem oriented. Not limited to a national field or specific period. Multi disciplinary. Attempted to be scientific.

Braudel: events and ind. time, conjuncture (social time of intermediate duration), structural and geographic time. See again Jared Diamond.

History from the Bottom: Worker's history. Riffraff? Or heroes? Often politicized.

The role of the peasant. The bottom historian rarely reflects the whole.

Micro history. "Forgotten peoples" of history. Not quantitative or "scientific" Death of Woman Wang. Examine brief dramatic events often involving heretics in order to test the abstractions of social thought.

Intellectual History:

Ideas. The Great Chain of Being. Lovejoy. Western thought. See Western civ. Timeless Western truths. See Bill Bennett, or Bloom.

The contextualists: the ideas are only significant in a social context and in specific action. Second rate thinkers are more emblematic (i.e. identifying) of their cultures' basic ideas than are the so-called great figures of intellectual history. E.g. harlequin novels.

New Intellectual History: histories of the ideas, attitudes and opinions of the common person. Looked at unspoken assumptions as revealed in legal cases, crimes, bizarre actions. These cases filter between high and low culture. No longer emphasizing the great books.

Cultural History:

Materialists: economy, geography, clothes

Non-materialists: concepts of culture-e.g. madness, gender

Subjects: high and low cultures: civilization vs. folktale: painting vs. doll making

Psycho history: Id, ego, and superego. Childhood, child rearing, family conflict.

Comparative history: requires choosing meaningful comparisons and historical specificity.

July 11. Tentative: We will visit the History Society. Here we will be introduced to the principles of Public History. The student should buy a book on memory. There will be volumes at the bookstore. The Center does not open until 10:00 so we will leave from school. Please plan to extend your day until 12:00. We can eat at the Center-great food! Dutch treat.

Wilson. Chs. 5-6.

By now you have read most of the book. You can start to think of writing your first paper. There are several approaches you can take. First of all realize that the purpose of the assignment is to display your understanding of the issues in contemporary historiography. The most productive approach, in terms of a macro-essay, would be to deal directly with Wilson's thesis: the new post-modern criticisms of history have made the discipline even more important and creative than before. The student can look for scholarly articles in History journals which deal with the future of History and can compare their conclusions with Wilson's.

A micro-approach would be to take one or two of Wilson's examples (see his footnotes) and write more fully on the place of that author in the world of historiography. The student would do well to write about the Annales school. This pursuit could be accomplished by reading reference works on history, journal articles on the various historians, and original texts.

Chapter 5 addresses the issue of historical actors: the rational actor, gender, class, and perception. You can take any of these examples and develop their ideas in relationship to Wilson's text.

To accomplish this assignment, be sure to ask for help from the librarian, me, faculty members, or the Internet. You can look up a book review on the Infotrac, for example, Braudel, and compare it to the way that Wilson wrote about Braudel.

Remember that you want to summarize the major theme in the Wilson book, then focus on the sub-theme that you are addressing in your paper. Compare that to outside materials. Reading book reviews is a good way to warm up the mind to this task.

Chapter 5.

Rational Actors. Assumes people are rational, people act individually. A theory drawn from the sciences of economics and politics. Role of culture?

Class: in itself, for itself, self-consciousness, spontaneity, vs. class forces. Workers in America, capitalists' interests.

Gender : sociobiology, vs. social mores. Problems of motive. Women rebels. Women reactionaries. Asexuality. See Mn. Show on women on the prairie.

Structures of Perception . Often blamed for being amoral or without a clear prime mover. One can be the oppressor and the oppressed. See Foucault.

It should be clear now that the writing of history is in fact an exercise in philosophy and its master-epistemology. The content of history is determined by one's perception of reality and truth. It is not just a string of so called facts.

Chapter 6.

History as Language. Postmodernism. "Deliberate obscurity." History becomes literature, not philosophy. The meaning of words, the nature of the text, the relationship between the reader and the text.

Deconstructionism. Derrida. Instability of meaning. Texts can be read in many different ways. There is no standard.


Assumptions of the New Historicist: p 119, See Lee on Hong Kong.

See Veeser's five moments:
anecdote, outrage, resistance, containment, and autobiographical comments. History, in this sense, contains a fictive element.


Discuss the implications of the conclusion on p. 121.

July 12. By now you have finished the book and are beginning to ask the crucial question: to wit, what happened to my view of history? What is history? Should a history major be in philosophy, literature, the sciences, economics, or linguistics?

Read Memory book and discuss your chapters in class. Draw up a few proposals on your final project.

July 13. Read Zeldin. Chs. 1-4

Continue to discuss your Memory book.

First paper is due. Length: 6-8 pages.
The papers shall conform to the following style:
Pagination: Typed double spaced
Bibliography: (MLA style sheet or some reasonable system)
Footnotes: (ditto MLA style sheet)
Succinct, interesting title. Preferably in the form of a question which will be answered by your paper.
A Clear Thesis.
A Clear Conclusion. (Do not end your paper with a quotation).
Carefully Written: Use action verbs, do not use trite expressions, have a sense of style. Avoid the following expressions: I think; I believe; In addition; There is; It is; In conclusion: and etc. Do not spell "its" when you mean "it's," and do not ever write "its'" or "receive."
If you have trouble writing papers then follow the suggestions below:

  • Two page summary of the main themes of the book or of the chapter that you have chosen. Do not paraphrase or list. Write a short summary and when possible elaborate on a few well-chosen quotations. Make the subject of your sentence: the article, the chapter, the book, the analysis.
  • Two page analysis of the book or chapter. Discuss the author's style, logical presentation, and use of sources. You may want to look up an article on a certain topic to compare it with Wilson's.
  • Two pages. Evaluate the argument. There are no book reviews of Wilson, but there are many book reviews of other books on the topic or topics. Read a history journal on one of the topics. Look up information on the Internet, or in the library. Discuss how relevant, useful, or creative the book approaches the topic. You can review another work using some of Wilson's analysis.
July 17. Memory book. Read Zeldin. Chs. 5-7. Share proposals.

July 18. Historical Society. (Tentative) Zeldin. Chs. 8-9

July 19. Zeldin. Finish. Discussion.

July 20. Movie on St. Paul. Read articles in The Public Historian, and other History journals.

July 24-27. Presentations. These can be indidual or group. The nature of these presentations will be discussed during the course. Below are some suggestions, examples, and guidelines.

1. Any presentation must include references to ideas and methodology from the three major readings. These references can be made within the presentation materials, or orally when you are describing your public history demonstration.
2. Any presentation must include some acquaintance with other outside academic readings.
3. The student can choose any of the many public history approaches: a display board, a re-enactment, an interactive game or role play, a multi-media presentation, a visit and introduction to an historical site or an argument for historical preservation.
  • To accomplish any of the above, the student must learn the professional aspects of the mechanics of the presentation. For example, a display board must not be too wordy or too manuscript based. It is not just a board to paste up a lot of text. There must be an internal organization of pictures and illustrations which lead the observer through the story.
  • Another example is in the re-enactment. The student must know the historical event and context extremely well. It is not enough to just dress up like, say, Laura Engels Wilder, or Jesse Ventura. The student must be able to act like, speak like, and have the mentality like the historical personage. Furthermore, a significant topic must be chosen.
  • One can also write a brief play about an historical incident.
  • The interactive approach could be developing a game, or a group involved in writing or interpreting an historical event.

4. Each student should take about 20 to 25 minutes for his or her presentation.

If you are planning to be a teacher, create a lesson plan. If you are a history major, portray an issue in history that would appeal to the public interest.

 
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