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“The performances are poignant, passionate, unflinching, sexy, and fun,” Marshall explained. “It’s a roller coaster ride.”
Relationships between the characters are key. John Mule, who plays Jesus Christ, said that the play’s focus on the realistic frustrations and complex emotions that Christ’s character experiences in the interplay with other people on stage.

Discarding conventional interpretations of the story for a distinct production approach, the cast has sought to depict the historical and religious characters as “real people,” not strictly revered idols or symbols.

Attention to the casting of well-known figures as lifelike people with genuine personalities has worked well with the play’s ostensible sexual overtones. Even the play’s posters have slight sexual undertones, with Emma Swank as Mary Magdalene donning red lipstick and posing suggestively next to Mule as Jesus and the show’s other lead actor, Patrick Reiger, who plays Judas.

“As far as visuals,” Mule said of the play’s immodest and courageous depiction of authentic and erotic relationships, “it’s going to surpass anything Hamline has done. It’s a risky play,” he added.

Promising sound and visuals that will shock and thrill, energy, costumes, musical arrangement, and scenery were created to be provocative and exciting. Purportedly borrowing the style and musical inspiration of a rock concert, the show also takes a daring path by venturing into a presentation that doesn’t hide the production efforts or behind-the-scenes work. The crew working back stage are conspicuously visible, and the sound equipment and instruments will be also not be concealed.

Jason Vanselow, the music director, sings in the show with a voice Marshall calls “unique and perfect for this piece.” Vanselow also works with the musicians and 23 cast members on the play’s musical performances, which feature a live rock band on stage.

“The music part adds another dimension,” Mule said. Impressive vocals and challenging musical pieces are being undertaken to enhance the audience’s overall musical encounter.

Presenting daring music, costumes, scenery, and content, “Jesus Christ Superstar” appears to offer an enticing theatrical experience. With limited tickets available and the high possibility of selling out, it’s best to grab tickets before the first show on April 21. But only if you’re over the age of 13.

Amy Brix